时间:2019-01-02 作者:英语课 分类:名人轶事


英语课

Richard Rodgers Wrote Musical Plays That Often Dealt with Social Issues


Music experts say that a Richard Rodgers show is always playing somewhere in the world.




VOICE ONE:




I'm Mary Tillotson.




VOICE TWO:




And I'm Shirley Griffith with the VOA Special English Program, People in America.




(MUSIC: "Victory at Sea")




VOICE ONE:




Richard Rogers 




That is music from the television show "Victory At Sea" written in nineteen fifty-two. The man who composed that beautiful music is known mainly as a writer of show songs. He wrote more than one thousand songs that helped tell stories in theaters, on television and in the movies. His music has been heard in more than two hundred movies and two thousand television shows.




Some experts say his music created more happiness than that of any other American popular composer. His name was Richard Rodgers. Today, we tell his story.




(MUSIC)




VOICE TWO:




Richard Charles Rodgers was born in New York City on June twenty-eighth, nineteen-oh-two. Both his parents enjoyed singing and playing the piano. His grandparents loved opera and took their grandson to many productions. Richard attended many Broadway shows as a child.




Richard Rodgers began playing the piano by the age of three. At the age of fifteen, he decided 1 that he would work in the musical theater. That same year, he wrote the music for a stage show presented by a local group of young people. Then, he wrote music for a production by students at Columbia University.




Other future show business leaders were also involved in the Columbia productions. Two of these men would be very important in Richard Rodgers' life-- Oscar Hammerstein and Lorenz Hart.




VOICE ONE:




Richard Rodgers and Lorenz Hart worked as a songwriting team for more than twenty years. Their first hit song was in the musical "The Garrick Gaities" produced in nineteen twenty-five. The song is still performed today. Here is Mickey Rooney singing "Manhattan."




(MUSIC)




Rodgers wrote the music first, then Hart put words to the music. They also wrote songs for the movies. One of their most widely known songs comes from a movie, "Blue Moon." Many singers have recorded it since it was written in nineteen thirty-four. It was even a rock and roll hit for the Marcels in the nineteen sixties.




(MUSIC)




VOICE TWO:




Richard Rodgers and Lorenz Hart stopped working together in the early nineteen forties. Hart was an unhappy man. He was in poor health as a result of a serious drinking problem. It was increasingly 2 difficult for Rodgers to work with him. Richard Rodgers turned to another old friend -- Oscar Hammerstein.




Rodgers and Hammerstein worked differently than did Rodgers and Hart. Oscar Hammerstein would write the words and give them to Rodgers. Rodgers then would write music to go with the words.




Their first show together was the historic 3 "Oklahoma!" It opened in nineteen forty-three. Critics have called it a revolution in American theater. Rodgers and Hammerstein were praised for writing songs that developed the show and helped tell the story.




"Oklahoma!" still is performed on Broadway and in other theaters around the world. Here is the famous title song from the first Broadway production.




(MUSIC)




VOICE ONE:




Rodgers and Hammerstein wrote the songs for nine musical plays, including "The King And I," "Flower Drum Song," and "The Sound of Music." Their musical plays were also made as movies.




Their songs expressed love and pain and told about social problems. One example is this song from the musical "South Pacific" that opened in nineteen forty-nine. One of the men in the musical is in love with a woman of a different race. He sings a song expressing the conflict between his racial feelings and his love. The song is called "You've Got to be Carefully Taught." Listen to William Tabbert who sang it first on Broadway.




(MUSIC)




VOICE TWO:




Richard Rodgers wrote both the words and the music for Broadway shows following Oscar Hammerstein's death in nineteen sixty. Critics say the best of these is "No Strings 4". It explored a romance 5 between a black woman and a white man. The main song is "The Sweetest Sounds." Richard Kiley and Diahann Carroll sang it on Broadway.




(MUSIC)




VOICE ONE:




Richard Rodgers and his wife Dorothy had two daughters and six grandchildren. One daughter and two grandsons also write music. Richard Rogers died in nineteen seventy-nine. He was seventy-seven years old. Books written about his life describe him as a cold man who was often depressed 6. Family members say he was only able to express himself through music.




Richard Rodgers once said the show he liked the best was "Carousel 7," the second musical he wrote with Oscar Hammerstein. It is a sad story about a young girl who marries a thief. One of the songs in the show now is considered to have a religious influence. Here is the song, "You'll Never Walk Alone".




(MUSIC)




VOICE TWO:




Music experts say that a Richard Rodgers show is always playing somewhere in the world -- on Broadway, in theaters in different countries, in local school productions. And people all over the world still enjoy the movies linked to Richard Rodgers. Movies with wonderful music such as "State Fair", "South Pacific", "Pal 8 Joey", "The Sound of Music", "Oklahoma" and "Carousel".




(MUSIC)




VOICE ONE:




This VOA Special English program was written by Nancy Steinbach and produced by Caty Weaver 9. I'm Mary Tillotson.




VOICE TWO:




And I'm Shirley Griffith. Join us again next week for another PEOPLE IN AMERICA program on the Voice of America.

 



adj.决定了的,坚决的;明显的,明确的
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
adv.逐渐地,日益地,逐渐增加地
  • Rivers are being increasingly made use of by man. 河流正在日益为人类所利用。
  • I find it increasingly difficult to live within my income.我发现靠收入过日子越来越难了。
adj.历史上著名的,具有历史意义的
  • This is a historic occasion.这是具有重大历史意义的时刻。
  • We are living in a great historic era.我们正处在一个伟大的历史时代。
n.弦
  • He sat on the bed,idly plucking the strings of his guitar.他坐在床上,随意地拨着吉他的弦。
  • She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。
n.恋爱关系,浪漫气氛,爱情小说,传奇
  • She wrote a romance about an artist's life in Tokyo.她写了一个关于一位艺术家在东京生活的浪漫故事。
  • They tried to rekindle the flames of romance.他们试图重燃爱火。
adj.沮丧的,抑郁的,不景气的,萧条的
  • When he was depressed,he felt utterly divorced from reality.他心情沮丧时就感到完全脱离了现实。
  • His mother was depressed by the sad news.这个坏消息使他的母亲意志消沉。
n.旋转式行李输送带
  • Riding on a carousel makes you feel dizzy.乘旋转木马使你头晕。
  • We looked like a bunch of awkward kids riding a slow-moving carousel.我们看起来就像一群骑在旋转木马上的笨拙的孩子。
n.朋友,伙伴,同志;vi.结为友
  • He is a pal of mine.他是我的一个朋友。
  • Listen,pal,I don't want you talking to my sister any more.听着,小子,我不让你再和我妹妹说话了。
n.织布工;编织者
  • She was a fast weaver and the cloth was very good.她织布织得很快,而且布的质量很好。
  • The eager weaver did not notice my confusion.热心的纺织工人没有注意到我的狼狈相。
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