VOA标准英语2008年-C.F. Martin & Company Celebrate 175 Years of Ma

They are the acoustic 1 guitars of choice for many of today's leading musicians and songwriters, and the company that makes them is celebrating its 175th birthday this year. From the headquarters of C.F. Martin and Company, in Nazareth, Pennsylvania, VOA's Susan Logue reports.
　
Brad Marshall (L) and Kevin Artz (r) have been playing Martin guitars together for 30 years as Marshall Artz

Brad Marshall will never forget the first time he played a Martin guitar. "It felt like it was a whole band when I strummed it. It was so full sounding."

Kevin Artz says the first Martin he heard put every guitar he had ever played to shame. "It was like the guitars I had been playing were like a honky tonk piano, and this guy picked up something and put it before me that was like a Steinway. It was so beautiful."

Marshall and Artz have been performing together for 30 years. Between them they own nine Martin guitars. In fact Martin guitars are the only guitars they play.

Blues-rock legend Eric Clapton loves Martin guitars so much he'd like to come back in his next life as one. It is the guitar he chose when he "unplugged" for MTV.
　
Dick Boak has worked with musicians like Eric Clapton and Sting 2 to custom design Martin guitars for their needs

And when Sting wanted a special sound for his "Sacred Love" album, he commissioned Martin to design the instrument. "Sting wanted a little guitar that could be strung an octave above pitch in order to get a shimmering 3 treble response," says Dick Boak, the man Sting came to with that request.

As director of artist relations at C.F. Martin and Company, Boak has worked with some of the best known guitarists on the planet, from Paul Simon to John Mayer.

"In many cases we know exactly where a guitar is going," Boak says. "Not only do we know [that], but we'll see [the guitar] on television a few nights after we have strung and tuned 4 it with [the artist] playing the guitar on stage, and it is a tremendous thrill."

C.F. Martin and Company makes several hundred models of guitars. They come in different sizes and can be made of different woods. Some are ornately inlaid with mother-of-pearl.

No matter how they look on the outside, they all share something in common, Boak says: the Martin sound.

"Our historian 5 Mike Longworth used to have a nice way to describe the Martin phenomenon," Boak says, "and that's that 'we start with the Martin sound and build a box around it.'"

The Martin phenomenon began in 1833, when Christian 6 Frederick Martin, Senior came to the United States from Germany with his family and set up a shop in New York. Six years later they moved to Pennsylvania.

"They were unhappy in New York," Boak says. "They moved to Nazareth, because it reminded them of their hometown of Markneukirchen, Germany. And in Nazareth, he really found his style of guitar-making, and the guitars that C.F. Martin built really came to define 7 the instrument."
　
Attaching the neck to the body is one of about 300 steps in the process of building a Martin guitar

Six generations later, they still define guitar standards. Today, nearly 500 employees work in the factory in Nazareth. Most of the guitars they make are handcrafted in a process that involves about 300 steps.

This year, in honor of the company's 175th anniversary, a limited number are being crafted just as they were in 1937, using rare woods and animal hide glue.

"Going back to the old glues, old process and old woods, just produces something very, very special," Boak says, adding some have compared the quality of those pre-World War II Martin guitars to that of a Stradivarius Violin.

But, as Kevin Artz notes, even Martin Guitars crafted with more modern methods are valued by musicians as something special. "If you're an acoustic player, Martin Guitars tend to be your dream."