时间:2019-01-27 作者:英语课 分类:PBS访谈娱乐系列


英语课

   JUDY WOODRUFF:Finally tonight: how a front man of rock is charming new fans in the world of classic music, and yet still jamming for his adoring base after three decades on the road. Jeffrey Brown has our profile.


  JEFFREY BROWN:It's not where you expect to see the lead guitarist of what's widely seen as rock 'n' roll's leading jam band. But there was Trey Anastasio recently, best known for his work with the band Phish, performing arrangements of his music with the National Symphony Orchestra in Washington. And even for a man used to playing for thousands in huge arenas 2, this was exciting.
  TREY ANASTASIO,Musician: When you stand in that spot next to the podium and an orchestra is playing, the sound is ...
  JEFFREY BROWN:It's pretty amazing, isn't it?
  TREY ANASTASIO:Oh, my God, it's in 3-D, and it's coming in every direction. My knees get weak.
  JEFFREY BROWN:It turns out that Anastasio's love for classical music is longstanding, going back to his youth. He credits a college composition teacher for showing him how to write large-scale pieces modeled on symphonies, big band arrangements, and more.
  TREY ANASTASIO:We used to talk a lot about not getting so hung up on styles, but being much more focused on content, so that you could sneak 3 harmonic elegance 4 into rock 'n' roll.
  JEFFREY BROWN:You felt that from the beginning?
  TREY ANASTASIO:From the beginning, absolutely.
  JEFFREY BROWN:In 1983, Anastasio formed the band that would become Phish with three other musicians in Burlington, Vt. And over 30 years, with a brief breakup in 2004, the band has developed one of the largest and most loyal fan bases in rock 'n' roll, making their name not on number one hits, but for their live performances featuring extended improvisations, “the jam.”
  Rolling Stone magazine dubbed 5 Phish the most important band of the 1990s, and Anastasio himself one of the 100 greatest guitarists in rock history. And the community of hundreds of thousands of Phish fans is as rabid as ever, many following the group from concert to concert.
  And that, says Anastasio, is fundamental to the band's identity.
  TREY ANASTASIO:A lot of the people who come see us have been coming for 20, 30 years. I have, as strange as this sounds, relationships with people who stand, like, 10 rows back and dance that I recognize and I walk on stage, and I say, hi, and it's a good feeling, and we start playing. I have never spoken a word to them.
  JEFFREY BROWN:But what many fans may not realize, Anastasio says, is all the hard work that goes into what they see on stage. For one thing, Phish is addicted 6 to practicing.
  TREY ANASTASIO:The way I see it, the freedom comes with an enormous amount of discipline first.
  There's lots and lots of hidden work and practicing that gets you to the point where you can play like that. And one of the things that we used to do as a band with Phish is that we would do jamming exercises.
  JEFFREY BROWN:Jamming exercises.
  TREY ANASTASIO:We didn't want it to be a big mush of, you know, navel-gazing, self-indulgent solos.
  JEFFREY BROWN:You wanted organized jam?
  TREY ANASTASIO:We wanted organized jamming, yes.
  So we would do very elaborate listening exercises where we would go around in a circle, and each musician would start a phrase, and then the other three would have to join in harmony or rhythmically 7.
  We used to do rushing and dragging tempo 8 exercises in a circle. It would be each person's turn to drag, and if they dragged, we would have to go with them fearlessly. And if they rushed, we'd go with them fearlessly. So a lot of it had to do with being in a group of people and coexisting and being a community.
  JEFFREY BROWN:That word, community, is clearly important to Anastasio and his bandmates. And the security of the band has allowed him to pursue other interests.
  In addition to his appearances with many leading orchestras around the country, he tours with his own band and recently wrote the music for a Broadway production.
  TREY ANASTASIO:I always like to keep in the child mind, I mean, childlike, but not childish, meaning a beginner's mind. I like learning. I like being the beginner.
  JEFFREY BROWN:You do?
  TREY ANASTASIO:Yes. And I like the challenge. I like getting up in the morning and learning something new. The other thing is that you learn stuff that you then take back to Phish.
  JEFFREY BROWN:Oh, really? It works that way?
  TREY ANASTASIO:Definitely. So, you might be in a big arena 1, and there is some kind of music going on or some kind of guitar solo or something, and I think, wow, I wish I could get to the level that I heard with, you know, the Pittsburgh Symphony that night, when the brass 9 section was playing, that kind of thing. So, you know, it opens your mind.
  JEFFREY BROWN:Performing with the orchestra, Anastasio says, is a way to re-imagine pieces he wrote for Phish, but to do so in a way that's challenging and fulfilling for the musicians as well.
  TREY ANASTASIO:The idea is that there is nothing as rhythmically tight on God's green earth as an orchestra. The strings 10 usually act in a percussive 11 way, so we didn't want to put a drum set up there.
  There is nothing as harmonically elegant and there is nothing as texturally 12 elegant as an orchestra. And we wanted to take advantage of all those elements.
  JEFFREY BROWN:In the meantime, Phish goes on, having survived decades of incredible change in the music business.
  TREY ANASTASIO:It's probably hard for a young band right now to break through that.
  But I will say one thing here. This is going to be -- sound insensitive or whatever. There is no free ride, you know?
  JEFFREY BROWN:Meaning?
  TREY ANASTASIO:Sometimes, I think people think they are going to get into music because it's a way to not work, which is completely the opposite of the way that I have always looked at it. If you love it, you are going to get up at 7:00 every day and play all day long and work and find gigs. And ...
  JEFFREY BROWN:So, this is a job. It's something you work at.
  TREY ANASTASIO:Yes. So, you have got to love it.
  JEFFREY BROWN:You have got to put in your 10,000 hours.
  TREY ANASTASIO:You have got to put in your 10,000 hours.
  JEFFREY BROWN:And then you have got to keep ...
  TREY ANASTASIO:And then you have got to put in another 10,000 hours. But, you know, if you love it, which I do, it's easy.
  JEFFREY BROWN:The band is once again on the road this summer, touring the country. And Phish fans everywhere will be glad to hear that a new album is in the works.
  JUDY WOODRUFF:So,we have just posted Jeff's entire interview with Trey Anastasio online.Plus, we asked Phish fans to tell us what inspires them about the music. More than 1,000 of them shared memories and photos.Find a sampling of those images on our website.

n.竞技场,运动场所;竞争场所,舞台
  • She entered the political arena at the age of 25. 她25岁进入政界。
  • He had not an adequate arena for the exercise of his talents.他没有充分发挥其才能的场所。
表演场地( arena的名词复数 ); 竞技场; 活动或斗争的场所或场面; 圆形运动场
  • Demolition derbies are large-scale automobile rodeos that take place in big arenas. 撞车比赛指的是在很大的竞技场上举行的大型汽车驾驶技术表演。
  • Are there areas of privacy in the most public of arenas? 在绝大部分公开的场合中存在需要保护隐私的领域吗?
vt.潜行(隐藏,填石缝);偷偷摸摸做;n.潜行;adj.暗中进行
  • He raised his spear and sneak forward.他提起长矛悄悄地前进。
  • I saw him sneak away from us.我看见他悄悄地从我们身边走开。
n.优雅;优美,雅致;精致,巧妙
  • The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
  • John has been known for his sartorial elegance.约翰因为衣着讲究而出名。
v.给…起绰号( dub的过去式和过去分词 );把…称为;配音;复制
  • Mathematics was once dubbed the handmaiden of the sciences. 数学曾一度被视为各门科学的基础。
  • Is the movie dubbed or does it have subtitles? 这部电影是配音的还是打字幕的? 来自《简明英汉词典》
adj.沉溺于....的,对...上瘾的
  • He was addicted to heroin at the age of 17.他17岁的时候对海洛因上了瘾。
  • She's become addicted to love stories.她迷上了爱情小说。
adv.有节奏地
  • A pigeon strutted along the roof, cooing rhythmically. 一只鸽子沿着屋顶大摇大摆地走,有节奏地咕咕叫。 来自《简明英汉词典》
  • Exposures of rhythmically banded protore are common in the workings. 在工作面中常见有韵律条带“原矿石”。 来自辞典例句
n.(音乐的)速度;节奏,行进速度
  • The boss is unsatisfied with the tardy tempo.老板不满于这种缓慢的进度。
  • They waltz to the tempo of the music.他们跟着音乐的节奏跳华尔兹舞。
n.黄铜;黄铜器,铜管乐器
  • Many of the workers play in the factory's brass band.许多工人都在工厂铜管乐队中演奏。
  • Brass is formed by the fusion of copper and zinc.黄铜是通过铜和锌的熔合而成的。
n.弦
  • He sat on the bed,idly plucking the strings of his guitar.他坐在床上,随意地拨着吉他的弦。
  • She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。
adj.敲击的
  • When it is dragged over pliant areas, an additional percussive tap could indicate this collision. 当它被拖到受范区域时,一个附加的敲击声提示这种碰触。 来自About Face 3交互设计精髓
  • Pneumatic DTH (Down-The-Hole) hammer is one of main pneumatic percussive-rotary drilling equipments. 风动冲击器是气动冲击回转钻进的主要设备之一。 来自互联网
adj.组织上的,构造上的
  • the textural characteristics of the rocks 岩石的纹理特征
  • High solid ferments and yeast lees contract to highlight textural qualities. 采用固体发和酵母分离技术提高酒的品质。 来自互联网
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aburbe condita
accommodation space of minor fire risk
accumulator watch
acyron
air-holes
alignment function character
anodic polarization
arcanum arcanorum
attributor
Awārik, 'Urāq al
Beilervaart
beiner
bluish-green argon laser
brawners
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Cerapteryx
charge ... with
Cheleritrin
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contemporaneous heterotopic facies
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diagnostic scan
dubiuss
electric capacity type liquidometer
electrocoat
evaluation of computer courseware
exclusive usage mode
extrapulmonary cough
fibrinolytic system
filthy water
fixed point part
flameout protection device
fortuitism
free-air value
fuel oil filling main conection
gangliest
genus Catha
gianduia
gravity roller conveyer
green bacon
groule
helium summation test
Historic Places Trust
hook Jack
huli-huli chicken
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impregnatory
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instantaneous memory
Kemerovskiy Rayon
lambis crocata
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manila fiber
Mariefred
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methylmannosides
minimum squared-error approximation
multi-drug
non-von Neumann architecture
of the time s
optimum proportion
peak-notch filter
perdu, perdue
pig-hull
pock cavity
quartz crystal thermometer
right defence
rio da duvida
SAC (Source Assisted Fission Converter)
sand conveyor installation
sarcomaofbladder
secale cornutum
self-shielded poison
sherbety
sit by and do nothing
speed of transmission
sport-fish
spring tooth cultivator
standardness
sterillization
sub-littoral
superfine-file
technique of random sampling
tempered martensite embrittlement
tetrafluoro compound
tirupatis
titanium subsulfide
tonal content
tracheal stenosis
ultra shallow draft vessel
ultrafast recovery photodiode
vacuum tube transducer
vertical illuminator
vigour
VMware HA
weakest links