时间:2019-01-16 作者:英语课 分类:2018年NPR美国国家公共电台3月


英语课

 


AILSA CHANG, HOST:


The new Netflix biopic "Roxanne Roxanne" tells the story of one of the first female stars in hip-hop history - Roxanne Shante. The film focuses on the beginning of her career when she was a freestyling, rapping prodigy 1 in the Queensbridge projects in the 1980s. Here was this teenage girl with a ponytail and braces 2, classic hoop 3 earrings 4 who could really rhyme. Even now, decades later, she's still got it.


So you never write down lyrics 5. It's always...


ROXANNE SHANTE: Never.


CHANG: ...Just freestyling.


SHANTE: Yes.


CHANG: Can you rhyme a little bit for us right now about this NPR interview?


SHANTE: (Rapping) Well, I wake up in the morning and it's nothing new. And I had to rush here to the NPR interview. Was running late but still feeling great, and now we're going to keep doing this interview straight.


(LAUGHTER)


CHANG: Oh, my god.


She says this is a skill she discovered when she was 8 years old watching comedian 6 Nipsey Russell on the TV game show "Hollywood Squares."


SHANTE: He would sit there and say, like, I'm Nipsey Russell and I don't have to hustle 7, don't want no tussle 8, don't like to fussle (ph). And people would ask him questions, and he would answer them in a rhyming form. So I sat in of the TV and was like, I like Nipsey Russell. I like to hustle. So what it did was it started a whole rhyming effect. And I would rhyme the entire day.


CHANG: Until now, Roxanne Shante was rarely discussed as a player in hip-hop history. This film is an attempt to correct that. It's a story about a difficult life in the projects. She was abused by an older boyfriend, had a child by the time she was 16, was cheated out of money by managers and others whom she trusted. It also shows during her brief career in hip-hop the joy and success and respect she got from rhyming. Her big break came when she recorded a track called "Roxanne's Revenge" at 14 years old. She was already well-known by then around her neighborhood for winning rap battles. A scene in the movie shows her walking through the Queensbridge projects when a record producer named Marley Marl called out to her to come up to his place.


(SOUNDBITE OF FILM, "ROXANNE ROXANNE")


KEVIN PHILLIPS: (As Marley Marl) Yo, I got this beat I want you to rhyme over.


CHANTE ADAMS: (As Roxanne Shante) I ain't got time. I got laundry to do.


PHILLIPS: (As Marley Marl) Yo, come on, one verse. It ain't going to take long.


CHANG: All right, so you went up. You recorded the track in one take. And the next thing you knew this was all over the radio.


(SOUNDBITE OF SONG, "ROXANNE'S REVENGE")


SHANTE: (Rapping) Well, my name is Roxanne. Don't you know I just cold rock a party and I do this show? I said I met these three guys, and you know it's true, so let me tell you and explain them all to you. I met this dude with the name of a hat...


CHANG: So what were you rapping about in "Roxanne's Revenge"?


SHANTE: "Roxanne's Revenge" was a freestyle, a seven-minute freestyle where the story I was telling was the fact that when men approach you and they're trying to heckle and - you need to be able to turn around and answer them. So if they were rappers, you just proved that you were a better rapper. And you turned around and you responded in a rhyming form.


(SOUNDBITE OF SONG, "ROXANNE'S REVENGE")


SHANTE: (Rapping) Girls that he's always trying to leggin' (ph). Every time that I see him, he says a rhyme. But compared to me, they're weak compared to mine. And every time that I know that...


CHANG: "Roxanne's Revenge" is famous in hip-hop history for the answer records it sparked. It created, like, this huge chain reaction. Can you explain how that worked?


SHANTE: What happened was because I had made "Roxanne's Revenge," everyone wanted to be a Roxanne because hearing my voice on the radio - because it's not one of the best voices as far as recordings 9 go. It's not one of those, you know, super sensual, how you expect a hip-hop voice to be. So it inspired others to be, like, OK, you know what? Do you hear that little girl...


CHANG: (Laughter).


SHANTE: ...On that song, on that cassette tape? Well, come on, everybody. Get your cassette tapes. We're all going to make records. We're all going to be Roxannes. And so that's what they did.


CHANG: What it feel like at the time when you saw yourself set all of that in motion?


SHANTE: Well, honestly, I never took it as being a star or anything I think because it was not financially compensating 10. So I didn't really see it. And I guess because at the time you always considered stars to be these people who live in these big homes and they live somewhere and they're wealthy and they're rich. And, you know, people think that they hear you on the radio and, you know, you just didn't - I didn't really feel it. I didn't ever find that lucky feeling, unfortunately. I just never did.


(SOUNDBITE OF SONG, "INDEPENDENT WOMAN")


SHANTE: (Rapping) You don't need a man. All you need is to know you can. Then you can stand on your own two feet and achieve anything that you want out of life. Do for yourself...


CHANG: I want to talk about some of your lyrics. A lot of your lyrics are about you being stronger than men, about being better than men. And you were, you know, 16 at the time. Would you have called yourself a feminist 11 back then?


SHANTE: Absolutely.


CHANG: Yeah?


SHANTE: I would call myself a feminist today (laughter). We need that. We need to hear that. Little girls needed to hear that. There are so many things that we as women would be able to do. Not that we physically 12 can't do them, but sometimes we mentally hold ourselves back from doing these things because we are told those are man things or those things that men are only good at or those are things that men are only strong enough to handle. And that is not true. So here you come, this 16-year-old hip-hop voice that says, listen; we're better than them. We're stronger than them. We're greater than them. We can do this. And then there's some little girl who takes that advice and goes on and does something great that they felt only a man could do.


CHANG: You know, all the rappers out there when you were growing up, they were almost all men. So, I mean, as you were having this moment, you really didn't think it would last. You thought it was this fleeting 13 thing you wouldn't be making money off of.


SHANTE: Well, that's what they told me.


CHANG: Who told you?


SHANTE: Management, record companies, you know, people you would bump into.


CHANG: Yeah.


SHANTE: They would tell you stuff like, listen; this hip-hop thing, this is not going to be around because they felt like all you guys do is take other people's music and rhyme on top of it. You're not even playing instruments. So therefore, because there no was musicality to it, they also felt like there was no talent involved in it. So it was something that anyone could do, and therefore it was going to be a fad 14. They had an expiration 15 date on hip-hop when I participated in it. They was like, listen; this is not going to be around for the next 10 years, so try to get everything you can out of it now.


CHANG: I want to talk about making this movie because, you know, you were executive producer on the film...


SHANTE: Yes.


CHANG: ...And you were on the set, which meant that you were there when the film was shot in the Queensbridge projects. Was that difficult for you, being back there?


SHANTE: No. I actually frequent Queensbridge all the time.


CHANG: Yeah?


SHANTE: So I never go too far from my people, my family. So, you know, to be there wasn't something new for them, to see Roxanne Shante in Queensbridge. No, they was like, oh, Shante's filming a movie. Everybody be quiet. What they did was they actually wanted to show that they were on their best behavior.


CHANG: (Laughter).


SHANTE: Like, listen; we're going to do this for Shante. And I appreciate them and I love them for that.


CHANG: But at the same time, when you're there, do you think about how much your life has changed? Because there was a time - there were many times that were pretty desperate when you were stealing clothes to make money, when you had to take care of your sisters while your mom struggled with alcoholism. Does being back kind of bring back some of those memories?


SHANTE: It's - I don't go back to those memories because I never tried to push them away. So what the movie did was it actually made it very therapeutic 16 because it gave me a visual of the things that I survived, the things that I've been through, the things that you can overcome if you don't give up. And also allowing other children who may be in that same position or that same predicament to look at me and say, OK, you know what? She didn't give up, and look at her.


CHANG: I like that, that it was therapeutic. I mean, not many people get to be alive and watch a movie get made about their lives.


SHANTE: Absolutely. It's a beautiful thing to smell your flowers while you're here.


CHANG: Roxanne Shante - a new Netflix film out this week called "Roxanne Roxanne" details her life as a young rapper in Queens in the mid-1980s. Thank you so much for coming in. It was such a pleasure...


SHANTE: Thank you for having me.


CHANG: ...To talk to you.


SHANTE: Absolutely.


(SOUNDBITE OF SONG, "HAVE A NICE DAY")


SHANTE: (Rapping) Some people call me Shanie (ph), some people call me Rox (ph), and those who try to diss I just knocks them out the box 'cause I'm Shanti (ph) and y'all know the routine. And here we go again, so all hail the queen. I left you for a while, but it was worth the wait because it gave me just enough time to create a funky 17 rhythm that's guaranteed to move the world.



n.惊人的事物,奇迹,神童,天才,预兆
  • She was a child prodigy on the violin.她是神童小提琴手。
  • He was always a Negro prodigy who played barbarously and wonderfully.他始终是一个黑人的奇才,这种奇才弹奏起来粗野而惊人。
n.吊带,背带;托架( brace的名词复数 );箍子;括弧;(儿童)牙箍v.支住( brace的第三人称单数 );撑牢;使自己站稳;振作起来
  • The table is shaky because the braces are loose. 这张桌子摇摇晃晃,因为支架全松了。
  • You don't need braces if you're wearing a belt! 要系腰带,就用不着吊带了。
n.(篮球)篮圈,篮
  • The child was rolling a hoop.那个孩子在滚铁环。
  • The wooden tub is fitted with the iron hoop.木盆都用铁箍箍紧。
n.耳环( earring的名词复数 );耳坠子
  • a pair of earrings 一对耳环
  • These earrings snap on with special fastener. 这付耳环是用特制的按扣扣上去的。 来自《简明英汉词典》
n.歌词
  • music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
  • The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。
n.喜剧演员;滑稽演员
  • The comedian tickled the crowd with his jokes.喜剧演员的笑话把人们逗乐了。
  • The comedian enjoyed great popularity during the 30's.那位喜剧演员在三十年代非常走红。
v.推搡;竭力兜售或获取;催促;n.奔忙(碌)
  • It seems that he enjoys the hustle and bustle of life in the big city.看起来他似乎很喜欢大城市的热闹繁忙的生活。
  • I had to hustle through the crowded street.我不得不挤过拥挤的街道。
n.&v.扭打,搏斗,争辩
  • They began to tussle with each other for the handgun.他们互相扭打起来,抢夺那支手枪。
  • We are engaged in a legal tussle with a large pharmaceutical company.我们正同一家大制药公司闹法律纠纷。
n.记录( recording的名词复数 );录音;录像;唱片
  • a boxed set of original recordings 一套盒装原声录音带
  • old jazz recordings reissued on CD 以激光唱片重新发行的老爵士乐
补偿,补助,修正
  • I am able to set up compensating networks of nerve connections. 我能建立起补偿性的神经联系网。
  • It is desirable that compensating cables be run in earthed conduit. 补偿导线最好在地下管道中穿过。
adj.主张男女平等的,女权主义的
  • She followed the feminist movement.她支持女权运动。
  • From then on,feminist studies on literature boomed.从那时起,男女平等受教育的现象开始迅速兴起。
adj.物质上,体格上,身体上,按自然规律
  • He was out of sorts physically,as well as disordered mentally.他浑身不舒服,心绪也很乱。
  • Every time I think about it I feel physically sick.一想起那件事我就感到极恶心。
adj.短暂的,飞逝的
  • The girls caught only a fleeting glimpse of the driver.女孩们只匆匆瞥了一眼司机。
  • Knowing the life fleeting,she set herself to enjoy if as best as she could.她知道这种日子转瞬即逝,于是让自已尽情地享受。
n.时尚;一时流行的狂热;一时的爱好
  • His interest in photography is only a passing fad.他对摄影的兴趣只是一时的爱好罢了。
  • A hot business opportunity is based on a long-term trend not a short-lived fad.一个热门的商机指的是长期的趋势而非一时的流行。
n.终结,期满,呼气,呼出物
  • Can I have your credit card number followed by the expiration date?能告诉我你的信用卡号码和它的到期日吗?
  • This contract shall be terminated on the expiration date.劳动合同期满,即行终止。
adj.治疗的,起治疗作用的;对身心健康有益的
  • Therapeutic measures were selected to fit the patient.选择治疗措施以适应病人的需要。
  • When I was sad,music had a therapeutic effect.我悲伤的时候,音乐有治疗效力。
adj.畏缩的,怯懦的,霉臭的;adj.新式的,时髦的
  • The kitchen smelled really funky.这个厨房有一股霉味。
  • It is a funky restaurant with very interesting art on the walls.那是一家墙上挂着很有意思的绘画的新潮餐馆。
学英语单词
achillea millefoliums
aggravatedly
albidas
Amberboa moschata
aplanatic telescope
application program output limits
aptina
arisaru falls
assembly of ship
attach value to
automatic gain controller
Barre-des-Cévennes
bell chime steam whistle
bending-vibration
betweeens
cantlets
cash center
cennino
childbirth-preparation class
chip scratches
chooce
clericalize
close run
colon editing
conjugate constraint
conservative property
consumption basis
crown rot
dambos
disc tower
draught excluders
ear specialist
flat-belt
foot-pumps
full text
Fungillin
galgan
grit blast
halicole
Harding Icefield
help making decision
highly amorphous cellulose structure
hollow rail
hop drier
hot-water radiator
implicitly defined array
interior live oak
interpretar
jay smoke
jejunohepatopexy
juliacas
L.A.
laminated clay
laser induced gas
mad skills
McMunn
methylarsine
mohria caffrorums
moon shell
net of triangulation
non specific urethritis
non-Binding arbitration
octynes
palpations
Paul I.
pezzoli
planting stock by vegetative propagation
plegiocidariss
pleiadian
plutomonkey
port control block design
pushpin
quantity of water
queen mary's cushion
ratio-arm bridge
rendzinas
rifle
Rubus idaeus strigosus
Salong, Gunong
sample percentile
sexual neurasthenia
sinusoidalize
smart-aleckry
solar minimum
solderless fitting
solman
spelke
stiletto heels
straightly travelling s/r machine
subuniverses
taichichuan
tanney
tap down
three-arm protractor
thrust reverser
titoist
toated
turning movement
unliver
validatings
Varazze
word processor